War by Sebastian Junger (Introduction) w/Jesan Sorrells.
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00:00 Welcome and Introduction – War by Sebastian Junger.
01:00 Understanding Soldiers and Modern War.
07:23 Fear, Killing, Love Dynamics.
10:16 Sebastian Junger: Journalist & Author.
13:01 Sebastian Junger’s Endurance & Neutrality.
17:51 War’s Heat, Fear, and Struggle.
22:07 Modern Warfare’s Changing Motivations.
23:19 Evolution of Warfare’s Psychology.
30:36 Violence, Legacy, and Inflection Points.
32:01 Transitioning to Serious Leadership.
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Music: Requiem, Op.22 – VIII. Agnus Dei, Draeseke, Requiem h-moll, op. 22 (WDR 11.11.11).
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Opening and closing themes composed by Brian Sanyshyn of Brian Sanyshyn Music.
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Hello, my name is Jesan Sorrells and this is the
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Leadership Lessons from the Great Books podcast,
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episode number 170.
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In one of the ever expanding parts of
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historical and cultural understanding of war,
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part and parcel of the legacy of World War I
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down to our time currently, is the idea
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among civilians who have never been to
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war who romanticize the act of killing people and
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breaking things. They look at war
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as a furnace in which the dross of
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complicated and uncomfortable human emotions
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are burned off, and a
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furnace in which or from which emerges
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a mechanical, hard
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man who can do the acts of killing and
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breaking things that a civilian themselves cannot
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do. In our modern time,
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in our post modern American moment,
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where the percentage of the available male population who
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actively serves in the Military is at
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0.8% or less than 1% of the available
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male population, the understanding of what
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exactly goes into making war and the
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psychology of the actual soldier
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himself, and yes, in some cases herself,
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the understanding of that has been lost in a haze
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of mythology, massive cultural inexperience,
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biased media reports, and of course,
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institutional, political and cultural
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biases. What is
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understood even less is
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why the men who do go and serve in the US
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Military fight in the first place. It is
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incredibly difficult for the vast majority of the population in the United States to understand
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at a visceral and emotional level the impetus that
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leads young men to go fight and die in places that are hard
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to find on a world map and that seem to be meaningless in
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the larger scheme of living daily life in a
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complex, postmodern, wealthy and incredibly comfortable
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society like the United States of America.
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What exactly are the young men and sorry ladies,
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my apologies. It is still, even in these times of relentless
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insistence upon gender egalitarianism in every
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facet of life, mostly young men
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fighting for. A better question might
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be who are these young men who serve fighting for?
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And what can civilians take as lessons from that
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level of visceral commitment and apply to their non
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combatant lives, draped, as I already
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said, or drowned, depending upon your perspective, in
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comfort, wealth and the most productivity
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out of any human civilization in the history of humanity
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today, on this episode of the podcast we will try. We will
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attempt to extract multiple themes that may
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potentially provide a pathway to an answer to
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some of these questions, particularly these
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questions that arise from our critical, skeptical
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postmodern minds. And we will
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be using the book today War
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by Sebastian Younger
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leaders dedication to filling and
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fulfilling promises with honor even to the point of
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death, cannot just be a marketing
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position with no actual meaning and
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sacrifice in the real world.
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So as we open War by Sebastian
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Younger, going to point out a couple of different things
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in this episode today. So as usual with
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copyrighted works, particularly copyrighted works that are, were
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that are, that are not in the public domain
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as war is not, we do not read directly or
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we read minimally directly from the book. If we read it all
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instead, what I’m going to do is I’m going to summarize the book and point
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out what I think are some key themes in the content
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for you to pay attention to when you pick it up and,
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and read it. The other thing that I would recommend in
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looking at War and in reading it in
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is thinking about sort of the context in which it was
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written and the time frame in which it was written. So when you
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open it up, there’s multiple different versions, but
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this first paperback edition was published in 2011 by
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Fourth Estate, an imprint of HarperCollins Publishers out of
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London. Obviously the material is copyrighted to Sebastian
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Younger. And the version that I have
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when you open it up has a table of contents and then it has a
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map. You turn the page and it has a map of the locations that are
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referenced in the material in the Korengal Valley.
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So Camp Blessing, Firebase Michigan.
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Let’s see the Korengal Outpost, Firebase Phoenix,
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OP Restrepo, the location of a,
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of an IED attack now near Firebase
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Vegas, which you’ll find out more about that in the book
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Hill 1706. And like I said, Op
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Restrepo. By the way, I’m going to put this out there early. If
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you get the movie or you go see the movie Restrepo,
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that is a companion to this book. So
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this book is a reporting, not a reporting. It is the reporting
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on the war. In the war, the battle in
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Afghanistan for, for the Karangal Valley that was
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conducted by Sebastian Younger, who
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at the time was writing for Vanity Fair and was an embedded
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journalist with the 2nd Battalion in,
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in Afghanistan. And he along with his,
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along with his, his photographer
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Tim Harrington reported
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as a result of their five trips to the Korengal Valley
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between June 2007 and June 2008 again for
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vanity Fair magazine. That feature length
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documentary that they produced is called Restrepo. And Tim Harrington
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is no longer alive. He actually died in an Believers either an
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IED attack. I think it was an ID attack if I remember
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correctly, in Syria, reporting on the Syrian civil war
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many years later, which of course was a knock on effect
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from our efforts in Iraq.
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So the book is set up in the table of contents,
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is set up into three, three parts, right? So you have book one,
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Fear, book two, Killing, and book three, Love.
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And you begin to see as you read each one of these books what the
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themes are that, that,
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that Sebastian Younger is able to pull
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from the interactions he has with the
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men of 2nd Platoon.
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It’s also interesting to note that
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he does not talk about politics in this
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book. One of the points that he makes is, is that
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it’s, and it’s, it’s, it’s kind of, it’s kind of a
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good point actually. He
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says that, oh gosh, it’s early in
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the, in the first book in Fear, when he talks about
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kind of who the men are, he talks about, you know,
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o’ Byrne and the rest of the men of Battle Company. He
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talks about the Chinooks and the Apaches,
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the, the, the background
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of, not that background, but the, the folks of the
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10th Mountain Division who were in that part of Afghanistan
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before, before 2nd Battalion showed up.
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And of course he talks about the Taliban there.
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One of the points that he makes is that,
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huh, politics
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don’t matter when the bullets start flying.
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And that’s a huge point right away or huge theme right away
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that comes out right away initially in book one, Fear and
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runs like a, like a, like a thread
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throughout the entire remainder of this book,
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by the way. It’s also set up as a classic reportage kind
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of document, kind of on the line of what Joan
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Didion would have, would have done or Hunter
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S. Thompson if he still been alive
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and interested in doing something like this.
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Restrepo is definitely a great film. I recommend Going and Getting It. There’s also
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another film called Korengal which was also made
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for or produced from the documentary footage that Tim Harrington
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shot along with Sebastian Younger. And I would
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strongly recommend picking up this book, examining its themes
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and looking at it closely, which we’ll start doing
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right now. But before we jump into the,
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the themes that are in war, I want to talk a little
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bit about the author. So Sebastian younger was
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born January 17, 1962
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and though he had a near death experience recently, is still very much, very
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much alive. He is an American journalist,
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author and filmmaker who has reported in the field
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on dirty, dangerous and demanding occupations and of course
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the experience of infantry combat. By the
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way, his other books which are listed in the Front of War, just want to
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point those out to you are the
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Perfect Storm, which was turned into a, which was turned into a movie,
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A Death in Belmont and Fire
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and again, he is part of that, that long line of
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reporters turned Authors that winds all the way
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back in our history to Ernest
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Hemingway really was probably the most most famous
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author turned reporter. Actually reporter turned author turned back
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to reporter. But this idea of being a
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writer and doing dirty, dangerous and demanding occupations and reporting
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on the results of dirty, dangerous and demanding
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occupations and going directly into those experiences and
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embedding yourself directly into those experiences has a long
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journalistic and authorial history in the
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United States. And Sebastian Younger is just one more person
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inside of that legacy. Younger’s works,
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which makes him unique to our time, explore themes
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such as brotherhood, trauma and, and the relationship of the individual to
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society as told from the far reaches of human
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experience. Younger graduated from Concord
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Academy in 1980 and received a Bachelor of Arts degree from
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Wesleyan University and cultural anthropology in 1984.
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As an accomplished long distance runner, he spent summer training on the
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Navajo Nation reservation and wrote his thesis on Navajo long
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distance running and its traditional pre Columbian roots. By the way, he
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does talk about his running background in the book War.
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He also references it in interviews that you
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hear about him later on. And he does actually say in the book, you
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know, the running and the ability to
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tolerate a lot of pain for a long distance
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helped him in the, in the Korengal Valley where,
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you know, he didn’t want to be a burden on the, on
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the troops. And at the end of the day, you know,
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you have to be able to keep up. And we’re only as
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strong in a group of soldiers. We’re only as strong
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as our weakest point. And if the journalist is the weakest point,
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then that’s where the enemy will strike. And so
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Younger fell back on that, that long distance
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running and was able to run with a pack, was able
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to commit to or not run, but hike with a
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pack and was able to hike 60 miles and I’m not, sorry, sorry,
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not 60 miles, was able to hike up the sides of mountains
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with a 60 pound pack as well as
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his cameraman, you know, bringing his cameraman’s gear along as
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well in order to film what was happening in the Korengal
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Valley and to keep up with those soldiers who were also, by the way, at
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the time of the writing of the articles in Vanity Fair that would
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eventually become the book War, the Time of the Writing.
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Most of Those guys were 20 years younger than him.
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So, you know, this is, this is not an easy,
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not an easy task. And I could tell
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you as a person who’s in my mid-40s, trying to keep up with folks who
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are 20 years younger than me and, and I Don’t have a background in long
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distance running is always a challenge.
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While much of Younger’s writing is subjective and participatory,
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he strives to maintain a neutral point of view and avoids contemporary
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political discussion, especially around frequent subjects
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that haunt his journalistic peers, like economic
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inequality, diversity and social justice,
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and of course, war.
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In 2021, when
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he was interviewed, he cited his quote, unquote favorite quote
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in an interview with the Guardian. And I love this quote. And it goes
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directly to the mindset of a man like Sebastian
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Younger, a reporter like Sebastian Younger, a writer like
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Sebastian Younger. And I quote,
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journalists don’t tell people what to think.
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They tell them what to think
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about. So when we look at
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the book War, and when we look at particularly the
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first book or the first part of War,
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which is entitled Fear,
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we open up and we start with that chapter and
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there’s a. An opening description of exactly
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what we are getting into in the. In the
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Korengal Valley. In the spring of
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2007 in Afghanistan,
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we. We meet a character named. A character, a
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soldier named o’. Byrne. And
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Younger begins to walk us through what it actually means to be a
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member of Battle Company. O’ Byrne grew up in
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rural Pennsylvania, and he played
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army for many years as a kid.
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Um, and you know, he got in trouble at school, he started
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fighting at home. When he became a teenager, um,
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you know, you know, O’
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Byrne’s father shot him twice with a.22 rifle.
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And of course, instead of going to jail,
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he went to reform school for assault rather than his father going to
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prison for attempted murder. And that was when O’ Byrne was 16.
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Later on, O’ Byrne met a National Guard recruiter who talked him
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into signing up and
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transferred him from the National Guard into the. Into the. Or he
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transferred himself from the National Guard into the regular Army. O’ Byrne is a
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linchpin character in
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this entire book. He becomes. You see him grow
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in leadership of the men of the.
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Of the 173rd Airborne and of course, the men
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of the 2nd Battalion.
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Then we get introduced to the Korengal Valley and the Coral Valley.
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I love this line. And we’ll revisit this idea later on in
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our. In our main. Our main episode that will focus on
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this book with, with John Hill, AKA Small Mountain.
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But this idea, I love this idea that the Korengal Valley is,
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Is too remote to conquer, the too poor to intimidate, and too
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autonomous to buy off. Everybody now knows about
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the history of the, the history of
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Afghanistan, right? And we’ll talk a little Bit about that later on in
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the. In the next section here. But this part of
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Afghanistan is so remote that the Soviets didn’t even get
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to the mouth of the valley or didn’t make it past the mouth of the
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valley when they invaded in the 80s and the Taliban didn’t dare go in
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there at all. Only the Americans were stupid enough to go, or
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brave enough, depending upon your perspective, to go into the
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Korengal Valley. Then we continue to meet the other
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men of 2nd Platoon, including 2nd Platoon Sergeant, a career
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soldier named Mark Patterson, who was 30, a full
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12 years older than the youngest man in 2nd
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Platoon. And then we meet
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Sebastian Younger and we talk about his arrival into the platoon and
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how he was integrated into their group.
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And then, of course, the fighting starts and the bullets start
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flying, the patrols start exiting Firebase
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Phoenix and they begin engaging the
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enemy. During the summer of
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2007, by the way, a summer
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where it is 100 degrees every day and
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tarantulas invade the living quarters of the American
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soldiers and presumably the Taliban fighters as well.
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But the American soldiers, to get out of the heat.
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There’s also a time when they’re carrying so much gear and
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they are fighting so hard that the smell of
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their sweat is the smell of ammonia, because
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they’re actually breaking down muscle rather
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than just straight sweat.
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This first part, this first book, Fear,
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sets up what’s going to happen in books two
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and three, Killing and Love.
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And it gives you an idea of exactly
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what, what it is that you’re getting into when
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you go into war in
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Afghanistan. So what
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is it like, dying and
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killing? Not for America or
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for religion, or for
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economics or class
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or for land or for women.
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What is it like dying for your friends as an American
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in a place dubbed the graveyard of
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empires? The British came through
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Afghanistan and couldn’t subdue those folks.
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The Soviets came through Afghanistan and couldn’t subdue
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those folks. And in 2001,
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one, after the events of September
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11th, we decided, yes, to go into Afghanistan
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first, yes, going to Iraq second. But let’s focus on
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Afghanistan for right now. And we decided we were going
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to disrupt, we were going to stop the
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insurgents, we were going to subdue the
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country. Of course, 20 years later, we would
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exit in great power. Ignominity.
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We’re not going to talk about that today.
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And the people that we sent there were not the
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same people that we sent to wars in the
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previous years of the 20th century.
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These weren’t young Gen Xers going to the Iraq war in
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the early 1990s
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or Somalia or Sarajevo. These
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weren’t soldiers
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in the Vietnam era. These weren’t
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baby boomers and older baby boomers
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and old, younger silent generation folks that we
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were sending to Vietnam. These weren’t
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younger silent generation folks, younger World War II generation
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folks that we were sending to Korea. And of course these
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weren’t Great Depression babies who were just grateful for three
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hots in a cot and would very happily go
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to Europe or island hop
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across the Pacific in World War II.
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The war in Afghanistan that went
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on from 2001 to 2021 was
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not Vietnam. It was a war not
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of conscripted soldiers and low
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intelligence draftees forced by social
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or cultural norms to sign up.
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This, this was not that, that
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was not these people. These men
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were not the same men that had
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signed up for wars, to go fight wars for
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America in other places in the past.
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Matter of fact, if you ask these men, they weren’t fighting the war for
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America at all. They were fighting the war for an entire
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myriad of reasons and America was very low on the
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list. This is a challenge
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of modern warfare because we have smaller and smaller troop
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groups being asked to do more and more dangerous work.
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It used to be that you can mass troops at the point, at
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an inflection point and get some result.
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That was one of the principles of World War I, is a follow
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up principle from World War II and was still held to be a principle
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in Vietnam. But over the course of time, what has
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happening, what has happened at least in the US military
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is that holding a position has become less
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about a mass of people to an inflection point and is more
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now about the intelligent application of force, technological
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force, cyber force in our time,
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and of course personnel force to any given
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threat. But just like in any war,
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in any time, in any era, the young men performing
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these acts, holding this position, shooting people
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and breaking things, they aren’t doing it for political
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reasons or even for social reasons or cultural reasons.
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They’re doing it because
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it’s a job with their buddies.
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And I think we’re going to have to wrap our brains, I think we’ve already
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wrapped our brains around this. But the knock on effects
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of this shift, this change, this
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momentous move in how we actually conduct war
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and the psychology of the people who conduct it has not
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been fully appreciated by the non
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war making non war fighting
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public.
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So what are we to take as we wrap up or as we begin to
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turn the corner from our conversation around war? By
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Sebastian Younger? Well, a couple of
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things I think we can definitely take from
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this Book. The big one, of course, is
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that the more things change, the more they stay
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depressingly the same. The United
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states lost nearly 50 soldiers in the Korengal Valley,
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specifically at OP Restrepo.
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And the question when there is any loss of
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blood or treasure, but really blood
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from civilians who do not fight, the question is always
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for what? Exactly. What
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exactly was the strategic
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outcome that we were looking for that justified
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such a. From a civilian’s perspective, large
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tactical loss. This is the same question
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that was asked in the past about the sacrifices in the trenches of
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World War I, the battlefields of World War II,
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the valleys and mountains of Korea and the jungles of
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Vietnam and the deserts of Iraq. Both times.
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And it is a question that goes to the vicious idea
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or maybe the reality of trade
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offs. You can never get something
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for nothing. Nothing. And Thomas Sowell
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once infamously said, or inciviously stated in his book
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a conflict of Visions, Ideological Origins of Political
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Struggles, and I quote, there are no solutions.
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There are only trade offs.
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By the way, the trade offs involved in war always
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involve counting the costs, as was pointed out
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by Jesus himself in Luke 14:28
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32. You can go back and read that if you’re
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curious. There is a cost to things, whether it is
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a material cost, an emotional cost or a
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psychological cost. And we ask these young men,
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and this is one of the major points that Sebastian Younger makes in his book,
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particularly in the last section on
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love, we ask these young men to make a
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sacrifice, to lay down not only their physical lives, but lay
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down their psychological lives, their emotional lives, and dare I say, even
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their spiritual lives in the service of achieving
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a tactical moment inside of
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a larger strategic plan.
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Civilian control of the military is one of the hallmarks of Western
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civilization. Civilization and civilizations that come out
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of and are influenced by the Western way
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of war making and civilization,
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sorry, civilization. Civilian control of the
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military is ensured through political
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elections and a formalized or.
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Or formalized constitutional processes.
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But this doesn’t mean that the politicians that we elect, that we vote
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for are any good or any better
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at explaining the strategies of warfare or the outcomes of battles to the
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people who voted for them than the generals are.
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There’s a great line in that anti war pro war
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film directed by Stanley Kubrick, Dr.
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Strangelove, or how I Learned to Stop Worrying and Love the Bomb
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from Sterling Hayden, who plays a general
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in in a bunker in the
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1950s who begins or kicks off
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nuclear Armageddon. He says, and I quote, the
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phrasing used to be war was too important to be left to the
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generals. These days, I say war is
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too important to be left to the politicians.
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Close quote the
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soldiers who were tasked with capturing and holding spots in the Corner
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Valley in 2007 and 2008
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and before and were doing so against the Taliban
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were men who didn’t know the strategy
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either. They just knew that their country
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had sent them there and now
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their friends were getting shot there and all
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bets were off. Remember
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I said, the more things change,
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the more they remain depressingly
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the same. I was recently
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reminded of an idea that
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was buried in the book Starship Troopers
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by the great Robert Heinlein, whose book A Stranger in a
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Strange Land we covered on the podcast this season.
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You should go back and listen to that episode. The idea in
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Starship Troopers that Heinlein was rebelling against
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himself, a veteran of the United States
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00:30:02,470 –> 00:30:06,190
military, the idea that he was pushing back
475
00:30:06,190 –> 00:30:09,760
against was this one. And it comes
476
00:30:10,080 –> 00:30:13,400
in a quip that typically comes from well meaning or
477
00:30:13,400 –> 00:30:17,240
emanates from well meaning civilians who really don’t
478
00:30:17,240 –> 00:30:20,080
know anything about war at all.
479
00:30:21,120 –> 00:30:24,599
The quip is violence is never the
480
00:30:24,599 –> 00:30:25,120
answer.
481
00:30:27,840 –> 00:30:31,520
Adults, particularly adults employed in the K12
482
00:30:31,520 –> 00:30:35,240
education system in America, often deliver this bromide to
483
00:30:35,240 –> 00:30:38,830
children. The sentiment behind such an aphorism is
484
00:30:38,830 –> 00:30:42,550
admirable, and I think Heinlein would agree with me on this.
485
00:30:42,790 –> 00:30:46,630
But just because it is admirable, that doesn’t make it correct or
486
00:30:46,630 –> 00:30:48,390
particularly useful.
487
00:30:50,150 –> 00:30:53,990
Sometimes, and I’m saying this as a person who is
488
00:30:54,470 –> 00:30:57,110
and has worked in the mediation and peacemaking space,
489
00:30:57,830 –> 00:31:01,350
sometimes violence is the answer. It just
490
00:31:01,350 –> 00:31:03,430
depends upon what the question is.
491
00:31:05,440 –> 00:31:08,480
And we in the United States, we
492
00:31:09,040 –> 00:31:12,800
are at a weird inflection point where the
493
00:31:12,800 –> 00:31:16,560
things that happened 20 years ago and the people who did those
494
00:31:16,560 –> 00:31:19,920
things and made those decisions are increasingly going to be
495
00:31:20,160 –> 00:31:23,200
framed and perceived as old or
496
00:31:23,680 –> 00:31:27,240
irrelevant. And the men who were
497
00:31:27,240 –> 00:31:30,000
boys 20 years ago in the Korengal Valley
498
00:31:31,060 –> 00:31:34,740
are going to be framed this way as well.
499
00:31:36,100 –> 00:31:39,620
By the way, at the time of this recording, the news
500
00:31:39,780 –> 00:31:43,380
broke that the former Vice President of the United
501
00:31:43,460 –> 00:31:46,980
States, who was part of the decision making
502
00:31:46,980 –> 00:31:50,580
matrix that the civilian population voted
503
00:31:50,580 –> 00:31:54,300
for that, then sent those young men to the
504
00:31:54,300 –> 00:31:58,030
Korengal Valley. A gentleman named Dick Cheney
505
00:31:58,750 –> 00:32:02,470
has passed away. He was 84
506
00:32:02,470 –> 00:32:05,950
years old, died, I suspect,
507
00:32:06,350 –> 00:32:07,950
peacefully in his bed.
508
00:32:09,870 –> 00:32:13,390
Hmm. War
509
00:32:14,510 –> 00:32:17,870
in general is still
510
00:32:18,190 –> 00:32:21,870
and remains the most serious act we as humans engage
511
00:32:21,870 –> 00:32:25,410
in against other humans. And I
512
00:32:25,490 –> 00:32:28,930
hope for the life of all of us that we are
513
00:32:28,930 –> 00:32:32,490
exiting a time, an era over the last
514
00:32:32,490 –> 00:32:35,170
20 years of deeply held
515
00:32:35,250 –> 00:32:36,530
unseriousness,
516
00:32:38,450 –> 00:32:41,570
unserious politicians unserious
517
00:32:41,810 –> 00:32:45,570
generals, unserious executive
518
00:32:45,810 –> 00:32:49,250
leadership. I pray we are exiting a time of
519
00:32:49,680 –> 00:32:53,440
unserious media and unserious
520
00:32:53,680 –> 00:32:57,400
entertainment. I pray that we are exiting a
521
00:32:57,400 –> 00:33:01,080
time of unserious culture, and that we are
522
00:33:01,080 –> 00:33:04,800
entering a time where, having been led
523
00:33:05,519 –> 00:33:09,360
and been commanded and been demanded to do things by
524
00:33:09,360 –> 00:33:12,960
unserious people, the people who had to do those
525
00:33:12,960 –> 00:33:16,810
things now become the mature, serious ones,
526
00:33:17,610 –> 00:33:20,810
and now speak with a mature and serious voice.
527
00:33:22,650 –> 00:33:26,490
And I hope that we are in the
528
00:33:26,490 –> 00:33:29,930
last gas of being led by those who merely perform
529
00:33:30,810 –> 00:33:34,090
seriousness without a deep understanding of
530
00:33:34,090 –> 00:33:37,490
competency and skill, because the
531
00:33:37,490 –> 00:33:40,730
competency and skill that is required in order to
532
00:33:42,490 –> 00:33:46,050
effectively dish out, for lack of a better
533
00:33:46,050 –> 00:33:49,850
term, the sacrifices that are required
534
00:33:49,850 –> 00:33:53,530
to make war is also a competency or
535
00:33:53,530 –> 00:33:57,249
walks alongside competencies and skills that can explain
536
00:33:57,249 –> 00:34:00,810
in a serious fashion to a
537
00:34:00,810 –> 00:34:04,370
serious public that lies below a deeply
538
00:34:04,370 –> 00:34:08,110
unserious elite the consequences of
539
00:34:08,900 –> 00:34:12,180
of such actions.
540
00:34:13,140 –> 00:34:16,980
And, well, that’s
541
00:34:16,980 –> 00:34:17,700
it for me.








