The Storyteller – Reflections on the Works of Nikolai Leskov by Walter Benjamin.
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00:00 Welcome and Introduction – Decoding Walter Benjamin’s “The Storyteller”
05:21 The Decline of Human Experience
07:16 Walter Benjamin’s Influence on Philosophy
13:11 Exploring Life’s Perplexity through Novels
14:24 Storytelling vs. Technology Disruption
17:45 Herodotus and Psammites’ Humbling by Cambyses
21:29 Craftsmanship, Nihilism, and Leskov’s Legacy
26:41 “Entertainment vs. Wisdom”
29:28 Narrative Wisdom in Noise
32:54 Leadership Wisdom in a Postmodern Era
38:57 “Passing Wisdom Through Turnings”
41:54 “Future Generations as Prophet-Idealists” in the First Turning
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Opening and closing themes composed by Brian Sanyshyn of Brian Sanyshyn Music.
Inter-episode music by Sergei Rachmaninoff – Rhapsody on a Theme of Paganini, Op. 43 – Var. XVIII [Piano arr. – Schultz]
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Hello. My name is Jesan Sorells and this is the Leadership Lessons
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from the Great Books podcast. Bonus. There’s
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usually no book reading on these bonus episodes.
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These are usually long form rants, raves, or interviews
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with interesting people doing interesting things at the spacious
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intersection of literature and leadership.
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Because listening to me talk with interesting people about interesting projects
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is still better than reading and trying to understand yet
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another business book.
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In the continued spirit of violating our own
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rules and boundaries this year on the show, or at
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least maybe not this year, maybe this quarter, we are introducing to you
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today a short essay that relates to leadership
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even though it happens to be a critique of literature
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and storytelling from the late nineteen thirties.
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I discovered this essay as background to yet another
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essay I was reading that was critiquing the
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postmodern problem, the uniquely postmodern problem
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of providing narrative advice or wisdom in
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a postmodern world of fragmented communications
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to people who are desperately in need of, well,
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wisdom. In reading the essay
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that we are going to cover today on the show which comes in at 14
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pages and is subdivided into 19 different sections,
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it is not an easy one to mentally digest.
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However, on this show we have covered many difficult texts and
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we aren’t going to stop now.
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The author of the essay we are analyzing for leaders
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today would appreciate, I think, the ultimate
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conceit of what we are attempting to achieve on our podcast
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by discussing his work and leveraging insights
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from it to offer solutions to a core problem that
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bedevils us in leadership even almost a
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century later, especially
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at the end of our fourth turning.
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Today, we will be reading excerpts from and
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summarizing some of the interesting ideas within
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the essay, The Storyteller, Reflections on the Work of
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Nikolai Lesko by Walter
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Benjamin. Leaders.
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The communicability of experience is decreasing, which has
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damaging results for the transference of wisdom based on life
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experience and book knowledge across generations.
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And despite our best efforts in the West to locate it, the abyss of
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the problem seems to have
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no bottom.
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And so we’re going to pick up today from The Storyteller,
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Reflections on the Work of Nikolai Leskov by Walter
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Benjamin. You can get a copy of this essay. It is
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open source online. You can actually get it
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from, Stanford University, MIT,
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Cambridge, and a number of other locations
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online. I wouldn’t recommend going and grabbing the
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PDF of it. It’s worth your time as a leader to read.
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Starting at the beginning, we’re gonna read section one paragraph
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one. Familiar though his name may be to us, the
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storyteller in his living immediacy is by no means a present
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force. He has already become something remote from us and something that is
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getting even more distant. To present someone like Lescov as
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a storyteller does not mean bringing him closer to us, but rather increasing
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our distance from him. Viewed from a certain distance, the great simple outlines
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which define the storyteller stand out in him
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or rather they become visible in him just as in a rock a
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human head or an animal’s body may appear to an observer at the proper distance
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and angle of vision. This distance
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and this angle of vision are prescribed for us by
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an experience which we may have almost every day.
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It teaches us that the art of storytelling is coming to
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an end. Less and less frequently do we
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encounter people with the ability to tell a tale properly.
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More and more often there is embarrassment all around when the wish to
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hear a story is expressed. It is as if something that seemed inalienable to
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us, the securest among our possessions were taken from
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us, the ability to exchange
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experiences. One reason for
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this phenomenon is obvious. Experience has fallen in
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value, and it looks as if it is continuing to fall into
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bottomlessness. Every glance at a newspaper demonstrates that it has reached a
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new low, that our picture, not only of the external world, but of the
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moral world as well, overnight has undergone changes which were never
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thought possible. With the first World War, our process
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began to become apparent, which has not halted since then.
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Was it not noticeable at the end of the war that men returned from the
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battlefield grown silent, not richer, but poorer in communicable
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experience? What ten years later was poured
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out in the flood of war books was anything but experience that goes from mouth
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to mouth, and there was nothing remarkable about that. For
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never has experience been contradicted more thoroughly than
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strategic experience by tactical warfare, economic
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experience by inflation, bodily experience by mechanical
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warfare, moral experience by those in power.
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A generation that had gone to school on a horse drawn street car
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now stood under the open sky, a countryside in which nothing
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remained unchanged but the clouds. And beneath these
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clouds, in a field of force, of destructive torrents and
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explosions, was the tiny, fragile
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human body.
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There are several points in that first section of the
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essay that resonate, with me,
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particularly as a person who reads literature looking,
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searching, examining words of the
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past and seeking out wisdom that can be
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applied in the far flung future from when
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those words were originally written.
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I wasn’t the only one looking for wisdom in
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leadership and when you look into and
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explore and learn a little bit about the life of Walter
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Benjamin who is a name that I had
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known, or at least I had recognized floating around
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underneath several other essays that I had read
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over the course of many years. You begin to realize that
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his ideas about the need
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for experience and his philosophy and cultural critique
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of media influenced many many
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folks including Marshall McLuhan and
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many others down through the twentieth century.
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Walter Benjamin was born July 1992
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and died 09/26/1940.
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He was a German philosopher, cultural critique, media
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theorist, and of course an essayist.
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He was associated with the Frankfurt school in Germany which
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automatically tags him as a Marxist. However,
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he was a contextual thinker who combined insights from
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German idealism because he was German, Romanticism,
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of course Marxism, Jewish mysticism, we’ll talk a little
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bit more about that later, and Neo Kantianism,
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to understand a post world war one Germany and a
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world in general that was in the
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intergerum between the end of world war one and the beginning of world war
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two consistently and permanently in chaos.
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Sound familiar? He was friends with the
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playwright Berthold Brecht whose plays we will be covering later on this
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year on this podcast so stay tuned for that. He’s
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also related by marriage to Hannah
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Arendt whose book on the trial of Adolf Eichmann,
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we will also talk about on this show in June.
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That’s gonna be a vibrant conversation that you won’t want to miss.
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Benjamin considered his research and writing to be theological in
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focus though he eschewed recourse to understanding the world
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through the lens of either a Christian or the presence of a Jewish
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God. He was much like Kierkegaard
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looking for the transcendent without actually
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wanting to talk about or deal with the
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actual meaning of the transcendent.
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In 1940 to escape the encroaching Third Reich
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who was looking for him desperately as they were for any intellectual Jew
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in Europe, Benjamin committed suicide at the age of
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48 and he had always flirted by the way he’d always
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flirted with suicide, and flirted with thoughts
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of suicide. So he even had friends
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who had committed suicide. So this was not something
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that was sudden or an idea that was
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unknown to Benjamin. Upon his
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death, his work achieved more recognition than in the
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decades than in the decades following his
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death, than it ever did in
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his life. He had the unfortunate
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bad fortune, depending upon your perspective, to be born at
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a time when a man such as him
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was merely seen as a person howling
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impotently at the moon.
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Back to the essay, back to the storyteller reflections on the work of
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Nikolai Lesko by Walter Benjamin.
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By the way, I think Benjamin would be fascinated by the presence of the
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internet. I think he would drown in the deluge
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of social media but I also think that he would
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have severe critiques for a communication
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culture in which instant communication
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that would seem to say nothing actually now
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has fully manifested at scale.
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But don’t let me try to convince you. Let’s
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listen to what Benjamin has to say.
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We’re gonna read section five of his
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essay. And I quote, the earliest
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symptom of a process whose end is the decline of storytelling is the
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rise of the novel at the beginning of modern times. What distinguishes
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the novel from the story and from the epic in a
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narrower sense is its essential dependence on the
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book. The dissemination of the novel becomes possible
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only with the invention of printing. One can be handed on orally. The wealth
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of the epic is of a different kind from what constitutes the stock and
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trade of the novel. What differentiates the novel from all
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of the forms of prose literature, the fairy tale, the legend, even the
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novella is that it neither comes from oral tradition nor goes
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into it. This distinguishes it from storytelling in
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particular. The storyteller takes what he tells from experience,
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his own or that reported by others, and he in turn makes
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it the experience of those who are listening to his tale. The
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novelist has isolated himself. The birthplace of the novel is the
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solitary individual who is no longer able to express himself by giving
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examples of his most important concerns, is himself uncounseled
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and cannot counsel others. To write a novel means
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to carry the incommesurable to extremes in the representation of
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human life. In the midst of life’s fullness and
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through the representation of this fullness, the novel gives evidence
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of the profound perplexity of the living.
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Even the first great book of the genre, Don Quixote,
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teaches how the spiritual greatness, the boldness, the
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helpfulness of one of the noblest of men, Don Quixote, are
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completely devoid of counsel and do not contain the slightest scintilla
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of wisdom. If now and then in the course of the centuries,
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efforts have been made most effectively perhaps in Wilhelm
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Meister’s Wanderer to implant instructions in
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the novel. These attempts have always amounted to a modification of the
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novel form. The Bildungsroman, on the other
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hand, does not deviate in any way from the basic structure of the novel.
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By integrating the social process with the development of a person,
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it bestows the most fragile frangible justification on
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the order determining it. The legitimacy
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it stands it provides stands in direct opposition to
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reality, particularly in the bildungsroman.
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It is the inadequacy that is
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actualized.
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The nature, the true nature of storytelling
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there put forth by Benjamin
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is that of a process
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that should come out of the oral tradition. Right?
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It should somehow deliver
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profundity. It should somehow deliver wisdom.
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The storyteller, to quote from Benjamin, takes what he tells from
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experience, his own or that reported by others, and he in
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turn makes it the experience of those who are listening to his
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tale. The technology of the novel, and we’ll talk
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a little bit about technology not in this section but in the next area, the
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next part, the technology of the novel disrupts
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that just like the technology of the cell phone or the
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technology of the movie camera or the technology of
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the computer or the technology of the Internet or the
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technology of the car. Technology seeks
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ruthlessly to disrupt the
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transference of wisdom via telling of a story
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from one human to another and of course at scale
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this fractures and has terrible consequences
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for all of us. This is because
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storytelling is an artisanal form of communication that
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can be tied deeply to craftsmanship care,
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and the best parts of articulating wisdom from
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contending with the boundaries of material reality.
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By the way, this is reflected in the book that we
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covered last month in our bonus episode, Matthew
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Crawford’s shop class as soul
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craft. Storytelling,
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which again is an extension of the oral tradition
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as Benjamin noted was killed probably five
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eighty five years ago by the gradual grinding forces of the
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technology of the printing press.
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The nature of the technology that underlies the
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novel itself resists the transmission of
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wisdom in a way that the oral tradition does not.
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There’s an example that Benjamin points to, in
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his essay, and it’s in section
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six seven, section seven, in the second paragraph.
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It’s a it’s a story, that he relates
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from, the Greeks, and I’m gonna read you the story.
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He says this and I quote, the first storyteller of the Greeks was Herodotus.
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In the fourteenth chapter of the third book of his histories, there is a story
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from which much can be learned. It deals with, Semonites.
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When the Egyptian king Semonites had been beaten and captured by the Persian king
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Cambyses, Cambyses was bent on humbling his prisoner.
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He gave orders to place Semoniteis on the road along which the
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Persian triumphal procession was to pass, and he further
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arranged that the prisoner should see his daughter pass by as a
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maid going to the well with her pitcher. While
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all the Egyptians were lamenting and bewailing the spectacle,
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Pasa Minaitis, sorry, stood alone, mute and
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motionless, his eyes fixed on the ground. And when
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presently he saw his son who was being taken along in the procession to be
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executed, he likewise remained unmoved.
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But when afterwards he recognized one of his servants, an old
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impoverished man in the ranks of the prisoners, he
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beat his fists against his head and gave all the signs
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of deepest mourning.
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Make from that what you will in our modern
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time, But that’s a story,
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not a novel, not a novella, not a movie,
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not a TikTok, not a Facebook post, not a tweet,
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not a YouTube video. That
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is a document. That is
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a set of information, right, that does more than
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just give us facts. It gives
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us a feeling. It might be a feeling we don’t like. It might be a
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feeling we have to struggle with. It might be a feeling that causes us psychic
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trauma, but it is a feeling that comes
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directly out of the oral tradition nonetheless.
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The preference of people for consuming information via new technologies,
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which are many of which I’ve already mentioned like the printing press, novels, newspapers,
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magazines, cell phones, even social media versus accepting received
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wisdom via an oral tradition has a psychological
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basis. People like
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the new. That’s why people read the
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news. Heck, this goes back even
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further than Walter Benjamin if we want to get
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real. When the Apostle Paul was going
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to speak to folks in Athens,
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the men of Athens were curious to hear from him. You can
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read about this in Acts seventeen and and eighteen. They were curious to
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hear from him because, and I quote, they always
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wanted to hear about new things.
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Back to the essay, back to the storyteller, reflections on the work of
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Nikolai Lesko by Walter Benjamin.
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By the way, in this, essay, he does, in
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his attempt to analyze storytelling
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wisdom and the transfer the psychological transfer of
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wisdom from one generation and even from one
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society to another. Benjamin does critique
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the work of the Russian writer Nikolai Lesko. And I’ll say a
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little bit about him. Lesko was a contemporary
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of Tolstoy and even Dostoyevsky,
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but he was less read than both Tolstoy and
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Dostoyevsky. As a matter of fact,
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in the essay, Benjamin has this
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has this quote when he talks about craftsmanship
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and he says and I quote, This craftsmanship storytelling was actually
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regarded as a craft by Lascaux himself. Writing he says
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in one of his letters is to me no liberal art but a craft it
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cannot come as a surprise that he felt bonds with craftsmanship but
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faced industrial technology as a stranger
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Tolstoy must have understood this occasionally touches this nerve of
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Lescov storytelling tap to sorry. Tolstoy who must
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have understood this occasionally touches this nerve of
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Lescov’s storytelling talent when he calls him the first
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man who, quote, pointed out the inadequacy of economic
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progress. It is strange that Dostoevsky is so widely read,
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but I simply cannot comprehend why Lescov is not
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read. He is a truthful writer,
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Close quote. That’s from Tolstoy. Right?
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And I think the reason why Leskov was not
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read and Dostoevsky was is because of the impact of
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nihilism. A craftsman attempting
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to deal with the bonds of material reality without
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being nihilistic or defeatist
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particularly in the early days of the Industrial Revolution
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when no one knew anything and the industrial revolution in
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a Russia that had just come out of serfdom,
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well, that writer was going to be seen as naive
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at best and uninteresting at worst.
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Particularly as a formerly oppressed people. We’re in
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a rush to consume the new.
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So we’re gonna pick up with section eight.
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I’m gonna read this paragraph from Walter Benjamin,
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and I quote, there is nothing
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that commends a story to memory more effectively than the
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chaste compactness, which precludes psychological
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analysis. And the more natural the process by which the
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storyteller foregoes psychological shading, the greater becomes the
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story’s claim to a place in the memory of the listener. The more completely
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it is integrated into his own experience, the greater will be his inclination
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to repeat it to someone else someday, sooner or
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later. This process of assimilation,
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which takes place in-depth, requires a state of relaxation, which is
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becoming rarer and rarer. If sleep is the apogee of physical
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relaxation, boredom is the apogee of mental relaxation.
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Boredom is the dream bird that hatches the egg of experience.
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A rustling in the leaves drives him away. His
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nesting places, the activities that are intimately associated with boredom
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are already extinct in the cities and are declining in the country as well.
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With this is the gift of listening is lost,
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and the community of listeners disappears.
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For storytelling is always the art of repeating stories, and this art is lost
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when the stories are no longer retained. It It is lost because there is no
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more weaving and spinning to go on while they are being listened to.
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The more self forgetful the listener is, the more deeply is what
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he listens to impressed upon his memory.
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When the rhythm of work has seized him, he listens to the tale in such
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a way that the gift of retelling them comes to him all by
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itself. This then is the nature of the
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web in which the gift of storytelling is cradled.
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This is how today it is becoming unraveled at all its
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ends after being woven thousands of years ago in the
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ambiance of the oldest forms of craftsmanship.
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Matthew b
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Arnold would agree, the author of shop class as soul
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craft. He would agree that
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this process of assimilation, which takes place in-depth, requires a state of
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relaxation, which is becoming rarer and rarer.
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There are authors, some of whom will remain
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unnamed, who have said and who have agreed
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with Benjamin on this one as well, and I quote, if sleep
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is the apogee of physical relaxation, boredom is the apogee of mental
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relaxation. Boredom is the dream bird that hatches the egg
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of experience. Well, what is the thing we
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demand from our technologies today? What is the thing we demand
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from even our stories?
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Well, we demand that we never be relaxed because we live in a
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world of anxiety which is the obverse of
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depression. We demand that we never be bored.
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I think of the titular line from
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Smells Like Teen Spirit by Nirvana.
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Oh well, whatever, nevermind. Yeah, okay. That’s not
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the titular line. The titular line is here we are now.
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Entertain us. The
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yapping cry of the twentieth century was to be
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entertained particularly after the horrors of both World War one
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and World War two. I mean the Harlem Renaissance
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and the jitterbugging of jazz of folks in jazz clubs occurred at the
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exact same time in New York City as the
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jitterbugging and entertaining of folks in the Weimar Republic occurred
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in Germany at the exact same time that
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f Scott Fitzgerald was noting
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that Gatsby couldn’t find himself no matter how
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much booze and how much dancing and how many
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women he bedded
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spastic activity does not bring wisdom
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00:27:48,930 –> 00:27:52,530
medicating for anxiety and for depression does not
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bring wisdom being
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entertained constantly either by
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a supercomputer in your pocket or by other people at a
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party does not bring wisdom
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boredom silence sleep
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these things allow us to integrate
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all of the wide variety of experiences that we have in
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our lives that we seem
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to take for granted and they allow us to
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use our brains which by the way we talk a lot about evolution in
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our society and cultures this is just a side thought we talk a lot about
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evolution in terms of natural selection but we don’t talk
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about evolution in terms of the evolution of silence
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when the Egyptian king who beat
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his head upon seeing his
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house servant in a Persian procession
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when he beat his head with frustration he did
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so in a world where noise did not
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abound he actually had to think about
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it unfettered
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capitalism progressive socialism authoritarian marxism
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quote, unquote our democracy or constitutional republicanism
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can’t provide wisdom to the postmodern
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western man. A man drowning in
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00:29:30,090 –> 00:29:33,850
noise so loud he can’t even get bored enough
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to relax, much less to hear
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himself think.
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The essay that drove me in the direction
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of this particular essay and got me thinking about this, which I
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think is relevant for our podcast and for the leaders
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listening to it, the essay that drove me here was out of the
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Hedgehog Review by a fellow named Alexander
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Stern, published this year,
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in 2025 in late January.
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And the title of the essay is, the story of advice,
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Narrative Wisdom in a Fragmented World.
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And, in the essay right at the beginning, he relates
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this, and I quote, in a column for The Point
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magazine, Agnes Callard, a philosopher and professor at the
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University of Chicago, comes out against advice.
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She makes her case using an anecdote involving the novelist Margaret Atwood.
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Asks about her advice for a group of aspiring writers, Atwood is stumped
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and ends up offering little more than bromides, encouraging them to write every day and
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to try not to be inhibited. Callard excuses
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Atwood’s banality, blaming it on the fundamental incoherence of the
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thing she was asked to produce.
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Advice for Callard occupies a nebulous terrain between what she terms,
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quote, instructions and, quote, coaching. You give someone instructions,
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she writes, as to how to achieve a goal that is itself instrumental to
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some further goal, Whereas coaching affects in someone
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a transformative orientation towards something of intrinsic value
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and athletic or intellectual or even social triumph.
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The problem with advice, according to Callard, is that it tries to reduce and
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condense the time intensive personal work of coaching into
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instructions. The young person is not approaching
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Atwood for instructions on how to operate Microsoft Word. This is from
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Callard’s writing that Stern is quoting. Nor
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is she making the unreasonable demand that Atwood become her writing
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coach. She wants the kind of value she would get from the second, but she
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wants it given to her in the manner of the first, but there
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is no there.
466
00:31:55,060 –> 00:31:58,600
There. Close quote. I agree
467
00:31:58,740 –> 00:32:02,440
with mister Stern. There is no there. There.
468
00:32:03,865 –> 00:32:07,304
And in his critique of instructions in his critique of
469
00:32:07,304 –> 00:32:10,924
coaching and advice he mentioned
470
00:32:11,065 –> 00:32:13,804
benjamin essay and thus got us here.
471
00:32:15,160 –> 00:32:18,380
By the way, other writers have commented
472
00:32:18,520 –> 00:32:21,900
on this problem of there being no there there.
473
00:32:22,520 –> 00:32:26,360
Steven Pressfield talks about it in his book, The War of
474
00:32:26,360 –> 00:32:29,975
Art, and Seth Godin talks about it
475
00:32:29,975 –> 00:32:32,955
in his great non business business book
476
00:32:33,415 –> 00:32:37,195
linchpin. One of the ways I think to overcome
477
00:32:37,895 –> 00:32:41,429
this problem of a lack of boredom are our
478
00:32:41,429 –> 00:32:44,970
confusion with instructions and coaching with wisdom.
479
00:32:45,990 –> 00:32:48,490
One of the ways to overcome this postmodern
480
00:32:49,590 –> 00:32:53,290
deeply fragmented incoherence we have in the world.
481
00:32:54,135 –> 00:32:57,755
One of the ways leaders I think can be helpful to have the positional
482
00:32:57,895 –> 00:33:01,735
authority and the status to be able to insist
483
00:33:01,735 –> 00:33:05,415
on a certain standard. One of the things that we need to do, one of
484
00:33:05,415 –> 00:33:09,130
the things I think that would that would benefit us one of
485
00:33:09,130 –> 00:33:12,970
the pieces of well advice I would give
486
00:33:12,970 –> 00:33:15,950
leaders is that the reprioritization of memory
487
00:33:16,810 –> 00:33:20,250
has to occur and it has to occur as a way to deal with the
488
00:33:20,250 –> 00:33:24,025
death of the past But it also has to occur
489
00:33:24,165 –> 00:33:28,005
as a tool, designed to create epistemic meaning for
490
00:33:28,005 –> 00:33:31,845
the future. Because this is the thing that we have been
491
00:33:31,845 –> 00:33:34,745
robbed of as leaders in our postmodern era,
492
00:33:35,830 –> 00:33:39,510
which makes us open to all kinds of information, but
493
00:33:39,510 –> 00:33:42,410
not real wisdom based on promises
494
00:33:43,350 –> 00:33:46,490
delivered by split tongued technologists.
495
00:34:01,725 –> 00:34:05,345
So you may say that I don’t,
496
00:34:05,740 –> 00:34:09,099
I’m a I’m a little bit of a split tongue hypocrite myself. You might say
497
00:34:09,099 –> 00:34:12,540
that. You might say, hey. You have a podcast and you offer
498
00:34:12,540 –> 00:34:16,380
advice and you offer instruction and you read these pieces
499
00:34:16,380 –> 00:34:20,135
of literature and you you read these essays, and
500
00:34:20,135 –> 00:34:23,895
you read these nonfiction books, you assiduously try
501
00:34:23,895 –> 00:34:27,574
to avoid business books, but you go into
502
00:34:27,574 –> 00:34:29,915
places, novels included,
503
00:34:30,935 –> 00:34:34,600
where, you know, everything that Benjamin talks
504
00:34:34,900 –> 00:34:38,739
about the novel itself is guilty of. And so what are you
505
00:34:38,739 –> 00:34:42,580
doing? Are you undercutting your own project? I
506
00:34:42,580 –> 00:34:46,100
don’t think so. I don’t think I’m undercutting my own project by talking about what
507
00:34:46,100 –> 00:34:49,855
Benjamin or by addressing Benjamin here and introducing Tim to
508
00:34:49,855 –> 00:34:53,694
you in this episode today. I don’t think I’m undercutting myself
509
00:34:53,694 –> 00:34:57,474
at all. Matter of fact, I think I’m I’m I’m shoring up
510
00:34:58,734 –> 00:35:01,740
the eroding beachhead
511
00:35:03,240 –> 00:35:07,020
of this podcast. So podcasting
512
00:35:07,080 –> 00:35:10,860
technology in and of itself is designed to tell stories.
513
00:35:11,400 –> 00:35:15,080
Think about maybe the true crime podcasts that you listen to
514
00:35:15,080 –> 00:35:18,735
or think about a really really good Joe Rogan
515
00:35:18,795 –> 00:35:22,555
interview or Theo Vaughn or
516
00:35:22,555 –> 00:35:25,615
whoever. When you listen to those people
517
00:35:25,915 –> 00:35:29,755
they, yes, are seeking to pull information out of their guest or
518
00:35:29,755 –> 00:35:33,460
out of the topic but at a certain point a switch happens
519
00:35:34,000 –> 00:35:37,440
and people start telling the host, telling
520
00:35:37,440 –> 00:35:39,780
themselves, telling the listeners
521
00:35:40,880 –> 00:35:44,485
stories. Storytelling,
522
00:35:44,785 –> 00:35:48,625
and this is where I separate from Benjamin, is going
523
00:35:48,625 –> 00:35:52,305
to be consistent in our lives. It’s gonna be something
524
00:35:52,305 –> 00:35:55,905
that we as human beings can’t abandon, but we
525
00:35:55,905 –> 00:35:59,260
will, and this is the hard part, we will
526
00:35:59,260 –> 00:36:03,040
abandon the the transmission
527
00:36:03,100 –> 00:36:06,400
of wisdom through that storytelling
528
00:36:07,020 –> 00:36:10,400
medium because we actually don’t have any wisdom
529
00:36:11,435 –> 00:36:15,275
to give. The piece
530
00:36:15,275 –> 00:36:18,495
that sent me off on thinking about this the critique
531
00:36:19,115 –> 00:36:22,575
of fragmented a fragmented
532
00:36:23,450 –> 00:36:26,190
fragmented communication world.
533
00:36:27,930 –> 00:36:30,990
The piece that set me off on this critiqued Margaret Atwood.
534
00:36:31,690 –> 00:36:35,369
Now I got to admit I don’t think much of Margaret Atwood as
535
00:36:35,369 –> 00:36:39,164
a novelist. I don’t think The Handmaid’s Tale was
536
00:36:39,164 –> 00:36:42,224
that brilliant. I’ve tried to read a couple of her other books.
537
00:36:42,845 –> 00:36:45,904
I just can’t get in to Margaret Atwood.
538
00:36:46,444 –> 00:36:49,825
For me personally with Atwood as an author
539
00:36:50,045 –> 00:36:51,184
there’s no there
540
00:36:54,440 –> 00:36:57,260
there. But that doesn’t mean that there’s no there there for others.
541
00:36:57,880 –> 00:37:01,339
Right? And so what may not be for me
542
00:37:01,640 –> 00:37:05,480
might be for someone else. By the way, that’s wisdom. That’s
543
00:37:05,480 –> 00:37:08,924
not instruction. But how do I get to there? How do
544
00:37:08,924 –> 00:37:12,065
I how do I make that determination?
545
00:37:13,565 –> 00:37:17,244
How do I wind up lapping up on the shores where it’s
546
00:37:17,244 –> 00:37:19,897
okay for me to dislike Margaret Atwood and use the technology of the podcast or
547
00:37:19,897 –> 00:37:22,310
dislike Margaret Atwood? I don’t know her. Dislike her writing. Podcast or dislike Margaret Atwood.
548
00:37:22,310 –> 00:37:26,050
I don’t dislike her. I don’t know her. Dislike her writing. Right? And for me
549
00:37:26,050 –> 00:37:29,810
to say that on the technology of a podcast, utilizing the technology of a
550
00:37:29,810 –> 00:37:33,410
podcast, imagining myself talking to someone who is sitting
551
00:37:33,410 –> 00:37:36,585
across from me today, even though no one is is sitting across from me today
552
00:37:36,585 –> 00:37:40,415
this is a solo show and to do it in a way that hopefully
553
00:37:42,235 –> 00:37:45,855
gives some sort of wisdom to leaders who might be listening
554
00:37:45,994 –> 00:37:48,415
and might be along this journey with me.
555
00:37:50,580 –> 00:37:54,200
How do I get there from here? Well, Benjamin, of course,
556
00:37:54,420 –> 00:37:58,020
gives me an idea. In section nine, he says
557
00:37:58,020 –> 00:38:01,800
this of his essay, and I quote,
558
00:38:01,860 –> 00:38:05,565
the storytelling that thrives for a long time in the middle of work,
559
00:38:06,125 –> 00:38:09,565
the rural the maritime and the urban is itself an
560
00:38:09,565 –> 00:38:13,405
artisan form of communication as it were. It does not aim to
561
00:38:13,405 –> 00:38:16,865
convey the pure essence of the thing like information or a report.
562
00:38:17,565 –> 00:38:21,359
It sinks the thing into the life of the storyteller in order to
563
00:38:21,359 –> 00:38:25,119
bring it out of him again. Thus traces
564
00:38:25,119 –> 00:38:28,880
of the storyteller cling to the story the way the handprints of
565
00:38:28,880 –> 00:38:31,619
the potter cling to the clay vessel.
566
00:38:34,934 –> 00:38:38,775
Close quote I love that when you
567
00:38:38,775 –> 00:38:41,994
tell a story you’re bringing a piece of yourself to it
568
00:38:43,174 –> 00:38:46,315
and in the best forms of human communication human interaction
569
00:38:48,050 –> 00:38:51,590
I can see people still insisting
570
00:38:53,090 –> 00:38:56,690
that the clay pot they are getting, yes, it must contain
571
00:38:56,690 –> 00:39:00,494
something in it. But even more importantly even more
572
00:39:00,494 –> 00:39:04,174
importantly, it must have the it must have the
573
00:39:04,174 –> 00:39:07,795
handprints of the potter embedded in it.
574
00:39:10,575 –> 00:39:14,250
What does this mean for us
575
00:39:14,250 –> 00:39:18,010
here at the end of the fourth turning as leaders? Well I think it
576
00:39:18,010 –> 00:39:21,770
means a few things. Number one: every generation has to relearn the wisdom that
577
00:39:21,770 –> 00:39:25,610
the previous generation considered to be table stakes for existing
578
00:39:25,610 –> 00:39:29,345
in the world, for understanding reality and for preserving
579
00:39:29,345 –> 00:39:32,945
the gift of feedback which is also a story by the way to the
580
00:39:32,945 –> 00:39:36,785
future. There is wisdom that
581
00:39:36,785 –> 00:39:40,560
defies the technologies used to transmit it. Some of
582
00:39:40,560 –> 00:39:44,100
that wisdom comes out of some of our oldest books like the bible,
583
00:39:45,040 –> 00:39:48,720
the Torah, the Quran, Benjamin
584
00:39:48,720 –> 00:39:52,464
even brings up Herodotus those things
585
00:39:52,464 –> 00:39:56,065
will survive regardless of what technological form they
586
00:39:56,065 –> 00:39:59,765
are put in and they may even outlast
587
00:39:59,825 –> 00:40:03,505
the earth itself these
588
00:40:03,505 –> 00:40:07,269
forms of wisdom ancient and deep encompass
589
00:40:07,269 –> 00:40:11,049
the oral tradition but the oral tradition then leverages
590
00:40:11,269 –> 00:40:14,890
the technology to avoid being rendered extinct
591
00:40:15,109 –> 00:40:18,170
by it and if you are a leader
592
00:40:18,805 –> 00:40:22,485
that’s really the wisdom there not the tip
593
00:40:22,485 –> 00:40:26,165
such as it were that’s the wisdom leverage technology to
594
00:40:26,165 –> 00:40:28,265
avoid being rendered extinct by it
595
00:40:30,245 –> 00:40:33,625
we are coming up at the end of the fourth turning
596
00:40:34,080 –> 00:40:37,680
we are turning into a high into a first
597
00:40:37,680 –> 00:40:40,980
turning and the wisdom
598
00:40:41,920 –> 00:40:45,440
achieved and attained the hard won wisdom achieved and
599
00:40:45,440 –> 00:40:48,500
attained in a previous chaotic fourth turning
600
00:40:49,015 –> 00:40:52,615
during a first turning, during a high, when the
601
00:40:52,615 –> 00:40:56,375
jitterbugging is going on, the alcohol is flowing, the
602
00:40:56,375 –> 00:40:59,815
jazz is thumping, and everyone’s feeling pretty good. The
603
00:40:59,815 –> 00:41:03,599
wisdom that was attained in the
604
00:41:03,599 –> 00:41:06,819
past chaos, no matter how it’s transmitted
605
00:41:07,839 –> 00:41:11,299
or what technology is used to transmit it, is typically
606
00:41:11,359 –> 00:41:15,165
ignored, dismissed, or shuffled away. And this is
607
00:41:15,165 –> 00:41:18,685
because of the principles of the first turning the
608
00:41:18,685 –> 00:41:22,225
ideas and the psychological posture that underlie
609
00:41:22,525 –> 00:41:26,285
the people who are living through it and I
610
00:41:26,285 –> 00:41:29,645
quote from the wikipedia article about the first
611
00:41:29,645 –> 00:41:33,360
turning according to Strauss and Howe the first turning is a high
612
00:41:33,500 –> 00:41:37,120
which occurs after a crisis during the high institutions
613
00:41:37,260 –> 00:41:40,940
are strong and individualism is weak society is
614
00:41:40,940 –> 00:41:43,600
confident about where it wants to go collectively
615
00:41:44,675 –> 00:41:47,815
though those outside the majoritarian center
616
00:41:48,275 –> 00:41:50,935
often feel stifled by conformity.
617
00:41:52,035 –> 00:41:55,875
Close quote. The next generation
618
00:41:55,875 –> 00:41:59,335
of folks we have coming up, generation alpha
619
00:41:59,475 –> 00:42:03,290
and behind them generation beta, I
620
00:42:03,290 –> 00:42:07,050
guess we’re gonna start with the alphabet again, are
621
00:42:07,050 –> 00:42:10,730
going to be profit idealists in the mold of
622
00:42:10,730 –> 00:42:14,204
folks who, well the mold of
623
00:42:14,204 –> 00:42:17,805
folks who in the last great turning in
624
00:42:17,805 –> 00:42:21,404
America were either very very
625
00:42:21,404 –> 00:42:25,005
hyper confident GIs coming out of World
626
00:42:25,005 –> 00:42:28,550
War II or if you go back a little bit further
627
00:42:29,170 –> 00:42:32,930
were the folks that were very very confident going into the
628
00:42:32,930 –> 00:42:36,610
civil war profit
629
00:42:36,610 –> 00:42:39,990
idealist types always exist in a high
630
00:42:40,755 –> 00:42:44,535
and folks like myself nomads the thirteenth
631
00:42:44,755 –> 00:42:48,295
generation such as it were we always get dismissed
632
00:42:48,515 –> 00:42:52,035
in a high our wisdom gets shuffled
633
00:42:52,035 –> 00:42:55,480
away all the way to the edges outside
634
00:42:55,700 –> 00:42:58,760
the majoritarian center.
635
00:43:00,180 –> 00:43:03,940
This time will be a little bit different though because of technology, because
636
00:43:03,940 –> 00:43:07,380
of our insistence on the internet, because of social media. It will be a little
637
00:43:07,380 –> 00:43:11,155
bit different this time, but I don’t know that it’s going to
638
00:43:11,155 –> 00:43:14,695
be that much different. I think our technologies
639
00:43:14,915 –> 00:43:18,295
that I think I know our technologies serve us
640
00:43:18,994 –> 00:43:22,640
and increasingly we serve them But it’s a
641
00:43:22,640 –> 00:43:26,420
weird symbiotic story that we tell each other.
642
00:43:28,640 –> 00:43:31,360
What I do know is this this is a piece of wisdom at the close
643
00:43:31,360 –> 00:43:35,200
here leadership will still be necessary even in the first turning. As a matter of
644
00:43:35,200 –> 00:43:38,975
fact leadership will probably be even more critical in the
645
00:43:38,975 –> 00:43:41,475
first turning because the naive,
646
00:43:43,295 –> 00:43:46,895
the ingenues, and the people
647
00:43:46,895 –> 00:43:50,680
just not paying attention will need
648
00:43:50,680 –> 00:43:54,360
all of the wisdom they can get from
649
00:43:54,360 –> 00:43:58,060
wherever they can get it because wars
650
00:43:58,520 –> 00:44:01,020
strife depression and upheavals
651
00:44:02,040 –> 00:44:05,525
insist on happening in
652
00:44:05,525 –> 00:44:06,985
every turning.
653
00:44:11,525 –> 00:44:15,285
And, well, that’s it
654
00:44:15,285 –> 00:44:16,025
for me.